Sadie Frost filmography

Dracula
This version of Dracula is closely based on Bram Stoker's classic novel of the same name. A young lawyer (Jonathan Harker) is assigned to a gloomy village in the mists of eastern Europe. He is captured and imprisoned by the undead vampire Dracula, who travels to London, inspired by a photograph of Harker's betrothed, Mina Murray. In Britain, Dracula begins a reign of seduction and terror, draining the life from Mina's closest friend, Lucy Westenra. Lucy's friends gather together to try to drive Dracula away.
Written by Goth {brooks@odie.ee.wits.ac.za}

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Papierowe malzenstwo
A young and pretty Polish woman arrives in London to marry a British doctor she met in Poland, only to find that he's changed his mind. Not wanting to return to Poland and in need of a green card, she proposes marriage to the astonished patient who happens to be in the doctors office at the time. Since he desperately needs cash to pay a mob debt, he later accepts.
Written by Bill Spandagos {bill@smart.net}

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The Krays
The life of a pair of twins (Ronald and Reginald Kray) who were born in London in 1934 and when they grew up became gangsters selling protection.
Written by Michel Rudoy {mdrc@hp9000a1.uam.mx}

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A Ghost in Monte Carlo
Weary of her very public life in Paris, an aging courtesan takes her orphaned niece from her convent home and relocates to Monte Carlo to begin a new life. Determined to bury the past, the courtesan Madame Bluet becomes the respectable Countess de Secret, and her niece Mistral, Mademoiselle Phantome. Soon, the secretive Countess and the beautiful Mlle. Phantome are the talk of Monte Carlo. Mistral finds herself surrounded by admirers - some with less than honorable intentions, while her aunt plots a long-awaited revenge. Will Mistral's chance for happiness be destroyed when her aunt's plot and past are revealed?
Written by Anonymous

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"Press Gang"

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Diamond Skulls
Hugo, heir to a fortune, is married to Ginny. They have a young son, and she seems devoted to Hugo, but jealousy wracks him: he imagines her in the arms of a colleague, he spies on her, he rages. One night, after drinking with members of his regiment, he runs his car over a woman: she dies, and all but one of his pals urge him to drive on. Why didn't he stop or swerve? She looked like Ginny. A psychological tug of war ensues: Peter, Hugo's business associate, wants to use the cover-up to leverage power over the estate; Jamie, who's dating Hugo's sister, wants to go to the police. Hugo's family closes ranks. As the police investigation closes in, who wins the power struggle?
Written by {jhailey@hotmail.com}

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"Casualty"

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"Gentlemen and Players"

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"Les Girls"

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"Pulaski"

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Information source: imdb.com