By the time I got to be 17 or 18, Hollywood was still thinking of me in terms of what I had delivered at the age of 11.
Fortunately, I happened to go east at a time when live television was centered in New York.
I can't say I was unhappy as a child actor in films. I had a particularly wonderful time.
I enjoyed being in movies when I was a boy. As a child you're not acting - you believe.
I started to study, because I knew I had to learn a lot about myself as an actor; you can't act the same as you did as a child.
I still have the actor's disease. I always think I'll never get another job.
My whole life I've been trying to prove I'm not just yesterday.
They said I couldn't play anything but an English boy. I knew I could. So I went to New York.
Intellectually I'd love to play Stanley Kowalski in A Streetcar Named Desire … Can't you just imagine me down in the streets yelling 'Stella! Stella!' God, the critics would have a lot of fun with that one.
I really liked Lassie, but that horse, Flicka, was a nasty animal with a terrible disposition. All the Flickas — all six of them — were awful." [On his roles as a child actor
I enjoyed being in movies when I was a boy. As a child you're not acting - you believe. Ah, if an adult could only act as a child does with that insane, playing-at-toy-soldiers concentration!
Reflecting on his fellow former child stars, c. 1976: "Compare us to your high school graduating class. You'll discover there is always a percentage of successes, and those who fall by the wayside to become alcoholics, dopers, or just plain losers. Sure there are the Bobby Driscolls - the tragedies - but don't forget the others: Elizabeth Taylor, Hayley Mills, Natalie Wood, Gene Reynolds, who's a successful producer, and so many others."
I absolutely adore movies. Even bad ones. I don't like pretentious ones, but a good bad movie, you must admit, is great.
All you can do is make a piece of product, sell it on its own terms, stand behind it and hope that people will go see it. If you try to be like something else or appeal to any given group, then you can very easily end up being gratuitous and imitative. There's not much to be gained by that and I think too much time is spent going around trying to be like someone else.
Performed custom voice-over work for the Training Level of the PlayStation game, A Bug's Life (1998) (VG). [source: game credits].
The Academy of Motion Picture Arts and Sciences (AMPAS) honor Roddy McDowall for his acting career and critically acclaimed photography by naming its photo archive after him. The collection, which includes several millions of negatives and stills, will be known as the Roddy McDowall Photograph Archive at the Margaret Herrick Library. [December 1998]
Ashes scattered in the Pacific Ocean. [1998]
Roddy has appeared in two separate television Batman series: The original "Batman" (1966) series (as Bookworm), and "Batman" (1992): The Animated Series (as the Mad Hatter).
In addition to appearing on both the original and animated Batman TV series ("Batman" (1966) and "Batman" (1992): The Animated Series), he also the reader for the book-on-tape version of the novelization of the first Batman (1989).
He was a rarity among movie stars in that he appears to have made no enemies at all during his lifetime. A man with numerous friends both in and out of show business, those who knew him continue to speak well of him to this day, and his funeral drew overflow crowds.
Brother of Virginia McDowall.
Won Broadway's 1960 Tony Award as Best Supporting or Featured Actor (Dramatic) for "The Fighting Cock."
A clerical error on the part of 20th Century Fox cost McDowall a likely Academy Award nomination for best supporting actor for his role as Caesar Augustus Octavian in Cleopatra (1963). The studio erroneously listed McDowall as a leading player rather than a supporting one. When Fox asked the Academy to correct their error, it refused, saying the ballots already were at the printer. Fox then published an open letter in the trade papers, apologizing to McDowall: "We feel that it is important that the industry realize that your electric performance as Octavian in 'Cleopatra,' which was unanimously singled out by the critics as one of the best supporting performances by an actor this year, is not eligible for an Academy Award nomination in that category...due to a regrettable error on the part of 20th Century Fox."
In 1974, the FBI raided his home and seized his collection of films and TV series during an investigation of copyright infringement and movie piracy. The collection consisted of 160 16mm prints and over 1,000 videocassettes. The value of the films was conservatively assessed at $5,005,426 by representatives of the movie industry. The actor was not charged and agreed to cooperate with the FBI. There was then no aftermarket for films, as the commercial video recorder had not been marketed, and studios routinely destroyed old negatives and prints of classic films they felt had no worth. Film buffs, like McDowall, had to purchase 16mm prints of films from the studios, or movie prints on the black-market, or from other collectors. He claimed that he had once had as many as 337 movies in his collection, but at the time of the investigation, he was not sure how many were still in his possession. He had bought Errol Flynn's movie collection, and had acquired other films through purchases or swaps. McDowall told the FBI that he had transferred many of his films to videotape in order to conserve space and because tape was longer-lasting than film, and subsequently had sold or traded the prints, plus other prints of movies he had lost interest in, to other collectors. He said that he collected the films due to his love of the cinema and to help protect the movies' heritage. McDowall also said that being in possession of prints of his own films allowed him to study his acting and improve his craft. One of the films he had purchased, from American-International Pictures, was Tam-Lin, a movie he himself had directed. He explained that he believed that he was not in violation of copyright, as he was not showing the films for profit, nor trying to make a profit when selling his prints as he charged only what he remembered as the price he himself paid. He believed he had purchased some of the films outright from 20th Century Fox, but learned subsequently from his lawyer that his agreement with Fox meant the studio retained ownership of the prints, and that he was forbidden to sell, trade or lend them out. McDowall was forthcoming about the individuals he dealt with on the black market, and also named Rock Hudson, Dick Martin, and Mel Tormé as other celebrities with film collections.
Introduced Carol Lawrence to Robert Goulet. In fact, she jokingly said that McDowell was responsible for hers and Goulet's first child.
Biography in: "American National Biography". Supplement 1, pp. 396-398. New York: Oxford University Press, 2002.
Became a close, life-long friend with Peggy Ann Garner while filming The Pied Piper (1942) with her in 1941.
Final stage appearance was as Ebenezer Scrooge in the New York City production of "A Christmas Carol" in 1997. He alternated performances with Hal Linden.
On March 10, 1965, he attended the Los Angeles premiere of The Sound of Music (1965) as the date of the movie's star, Julie Andrews.
Life-long friend of Elizabeth Taylor. Taylor has since referred to him as the one friend she had to whom she confided everything, and who was always understanding.
An accomplished ballroom dancer, he won both the Charleston and Cha-Cha contests on the "The Arthur Murray Party" (1950).
Explained in 1995 during an interview for American cable station USA Network the limitations of his make-up on Battle for the Planet of the Apes (1973). Overwhelmed by frustration over the inability to eat, touch his face and the constant itch brought on by the chimpanzee prosthetics, he admitted to crying.
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