I see people in terms of dialogue and I believe that people are their talk.
It's a big con job. We have sold the myth of Dublin as a sexy place incredibly well; because it is a dreary little dump most of the time.
Ulysses could have done with a good editor. You know people are always putting Ulysses in the top 10 books ever written but I doubt that any of those people were really moved by it.
When you are writing for fiction everything is in each word and each individual word is a literary decision, whereas if you are writing for the screen and you have a character walking into a room it is because she walks into the room: it doesn't matter if it isn't glorious literature.
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