A lot has been made about our relationship, about how it's been on the rocks.
After every movie, I always kick myself for the same things-didn't do enough, not enough variation, not enough interesting choices, too bland.
Do we have to go to the bowels of infantile behaviour?
Even the busboys at the restaurants have a script to give you. Everybody is in the business.
Everyone has the answers.
Experience pays its dues but I think it's so much more enriching having an actor who's a director.
For two years I was given scripts which were just like remakes of The Princess Bride. It has taken this long to completely drop that first impression.
He doesn't welcome the fans. He's private and yet he's got a big mouth, so I said: Well, how are WE supposed to live in that dichotomy?
He's the most loyal person you'll ever meet. You know he'll always be there.
Hey, man, when you have a baby, you don't have time to go out and shop from store to store.
Hollywood is a suction for your confidence or your faith or your togetherness. Just walking on the street you can feel it.
I always had this feeling of abandonment. There were always new people in and out of the house.
I am not successful, in terms of Hollywood.
I could not understand why Meryl Streep, for example, is allowed to work while pregnant and I'm not.
I detest running. I couldn't run 10 miles in 10 fricking years without dying.
I have a very good maternity dress.
I have always been a good mimic.
I have such a little face.
I just love getting dirty.
I like movies that make you think.
I like the whole package to be good, It's a rarity that that happens, so I end up not working a lot.
I miss feeling like more of a woman.
I tell you, if I can't do that role and I know I am not capable of doing that, I don't want to do it, so give it to somebody else.
I tried to get the other models to revolt.
I turned down a lot of things that were so-called commercial. You're coming out of one film, and then they want you to be in the same one.
I used to ask Sean questions about acting. He's a brilliant actor, but I could never digest his information. I work primarily on an intuitive level.
I want to be perfect. I don't want to fail. And you always fail.
I wanted the part of that retarded girl in A Dangerous Woman. I wanted it so bad. But they said, We could never believe you could be retarded.
I was given the opportunity to do film. Then I felt the difference.
I was technically a Valley Girl, even though I absolutely dreaded being called that. I really hated the idea that I was a Valley Girl.
I wasn't very sociable in school. I think moving around as much as we did kind of makes you turn inward.
I would have made a lousy stripper. I'm just not very comfortable exposing myself.
I'd rather attempt something I'm not sure I can do.
I'm hoping we can all get together and pass a bill, a privacy act.
I've always wanted to be able to let myself go over the edge.
I've always wanted to play these kinds of roles.
If you get enough sleep, cut back on cigarettes and red meat, you look better the next day.
If you're happy, if you're feeling good, then nothing else matters.
Is that romantic fantasy real? Um, after kids, no. Take the kids away, I don't know. Depends.
It makes me believe in fate. In most cases, the readings where I've been really bad have usually been the ones where I got the part.
It's a drag because it's a drag for him, so therefore it's a drag for me.
It's also getting older and having more experience and gaining the awareness of confidence, because I never have been confident.
It's just poetry, beauty and love. How hard can that be to act?
It's what still excites me most about acting: letting your imagination go places it's never been before. There's nothing better than that.
Looks are emotional, anyway. Everybody has good days and bad days.
Most of my memories of Texas are of mosquitoes, watermelons, crickets, and my brother teasing me.
My brother is incredible and he can do ANY accent and can play any character.
My favorite designers are Levi Strauss and Fruit of the Loom.
My mother gave me a sense of independence, a sense of total confidence that we could do whatever it was we set out to do. That's how we were raised.
No nude scenes. No sex-symbol parts. I want people to recognize me for my work, not just for being pretty.
Sean's a better person when he's directing. He becomes a queen when he's an actor. And he's so unhappy when he's acting.
Sean's a great, great writer.
Sean's movies are provocative and challenging without being slick.
Something pulls us together. I think it was destiny.
Sometimes I think they should set up an asylum for people like that... a whole slew of paparazzi defending their positions.
The Crossing Guard is a very cathartic movie, and it's really about forgiveness more than anything else.
The kids want to watch Uncle Buck over and over and over again.
The thought of doing it in front of the camera with millions of people watching you was never an endeavour of mine.
Unless you're a star in this town, you're really nothing.
We really enjoy entertaining our children with characters. We'll act out all of The Wizard of Oz together.
We speak the same language. We cut to the chase.
We're two pretty complicated people. Sean, he's six people in one. If you ask him what drives him crazy about me, he'd probably say my fears.
When I had money in the past, I would always travel rather than spend it on big apartments or cars. And I still feel exactly the same way.
When we do fight, nobody wants to come back into the house for three days. Luckily, it doesn't happen that much anymore.
You make dinner for the kids, part of the crew comes over and watches dailies, then it's time for bed because you have to get up in the morning.