Oliver Reed filmography

The Ransom
An executive mortgages all he owns to stage a coup and gain control of the National Shoe Company, with the intent of keeping the company out of the hands of incompetent and greedy executives. He needs the same money, though, to pay the ransom that will possibly save a child's life. His resolution of that dilemma -- the certain loss of the company vs. the probable loss of the child -- makes for one distinct drama, and an ensuing elaborate police procedure makes for a second.
Written by levin {levin@world.std.com}Crossed Swords
Tom Canty is a poor English boy who bears a remarkable resemblance to Edward, Prince of Wales and son of King Henry VIII. The two boys meet and decide to play a joke on the court by dressing in each other's clothes, but the plan goes awry when they are separated and each must live the other's life.
Written by Eric Sorensen {Eric_Sorensen@fc.mcps.k12.md.us}Burnt Offerings
Haunted house chiller from Dan Curtis has Oliver Reed and Karen Black as summer caretakers moving into gothic house with their young son. The catch? The house rejuvenates a part of itself with each death that occurs on its premises.
Written by Humberto AmadorThe Great Scout & Cathouse Thursday
The Sell-Out
Lisztomania
A wild and imaginitive send-up of the bawdy life of Romantic composer/piano virtuoso Franz Liszt (played by The Who's Roger Daltrey). Director Ken Russell utilizes ubiquitous phallic imagery and devotes a good portion of the film to Liszt's "friendship" with fellow composer Richard Wagner. The film begins during the time when Franz would give piano performance to a crowd of shrieking teenage fans while maintaining affairs with his (multiple!) mistresses. He eventually seeks Princess Carolyne of St. Petersburg (at her invitation), elopes, and, after their marriage is forbidden by the Pope (Ringo Starr), he embraces the monastic life as an abbe. Often scorned by critics for director Ken Russell's metaphoric interpretation of Liszt's life (in lieu of a more literal one), Lisztomania plays like a trip through a fun house and contains enough symbolism to appease any film buff.
Written by Jonathan Dakss {dakss@columbia.edu}Royal Flash
Tommy
Tommy Callahan Jr. is a slow-witted, clumsy guy who recently graduated college after attending for seven years. His father, Big Tom Callahan, owns an auto parts factory in Ohio. When Tommy arrives back home, he finds he has a position at the factory waiting for him. His dad also introduces Tommy to the new brake pad division of the factory and to Tommy's soon-to-be stepmother, Beverly, and her son Paul. But when Big Tom dies, the factory threatens to go under unless the new brake pads are to be sold. Therefore, Tommy must go on the road to sell them, along with the assistance of Richard, Big Tom's right-hand man. Will Tommy save the company, or will the factory, and the town, go under?
Written by David Landers {dml@gwis.com}The Four Musketeers
D'Artagnan has become a Musketeer. Protestants hold La Rochelle, and the Queen loves Buckingham, who'll soon send ships to support the rebels. Richelieu enlists Rochefort to kidnap Constance, the Queen's go-between and D'Artagnan's love. The Cardinal uses the wily, amoral Milady de Winter to distract D'Artagnan. But soon, she is D'Artagnan's sworn enemy, and she has an unfortunate history with Athos as well. Milady goes to England to dispatch Buckingham; the Musketeers fight the rebels. Milady, with Rochefort's help, then turns to her personal agenda. Can D'Artagnan save Constance, defeat Rochefort, slip de Winter's ire, and stay free of the Cardinal? All for one, one for all.
Written by {jhailey@hotmail.com}Mahler
Both trifles and structure are tossed out the door by director Ken Russell in this film. Here, historical content matters not so much as metaphors, feelings, emotions, and interpretations, and pay close attention, as every word and frame is intended to be important. The film takes place on a single train ride, in which the sickly, aged composer Gustav Mahler and his wife, Alma, confront the reasons behind their faltered marriage and dying love. Each word seems to evoke memories of past, and so the audience witnesses events of Mahler's life that explain somewhat his present state. Included are his turbulent and dysfunctional family life as a child, his discovery of solace in the "natural" world, his brother's suicide, his [unwanted] conversion from Judiasm to Catholicism, his rocky marriage and the death of his young children. The movie weaves in and out of dreams, flashbacks, thoughts and reality as Russell poetically describes the man behind the music.
Written by Jonathan Dakss {dakss@columbia.edu}

Pages:

1 2 3 4 5

7 8 9 10 11

Information source: imdb.com

Your name:
Friend's name:
E-mail address: