A transaction won't stand if it's not reciprocal-reciprocity enforces itself within every transaction-so you never get away with just getting something and running off with it.
As an artist, you don't think about the parabola or the arc you're describing or where you're going to ultimately end up, you're just kind of crawling around, seeing what's out there.
Buzzwords and cliches - those are stock in trade. There's nothing wrong with them.
Even when I take the path to go be a CEO for a month, or a CEO for a day, music is still there. It's an extremely important part of what I am.
I coined a word the other day, but I forgot what it was. It was a good one, it came to me in a dream.
I don't quite know what a record is anymore. I don't quite know how to describe it. Don't know how to define it yet, so I'm just letting it gestate, and grow and see if maybe I'll get a better sense of what a record is.
I haven't been out in the marketplace in a while. I'm thinking about going back into it. I've got some things set up over the next couple of months just to go and see. But I have no idea what the specific way to a solution is anymore. It's mysterious to me.
I just finished a novel, and I'm back kind of noodling on the screenplays. Screenplays are tough. I am making music, I'm just not sure what kind of music it is or where it's going.
I never feel like I have to hang on to the music. I don't expect that the music will go away. Ideas are the only thing I can point to that are permanent and fixed.
I'm not performing now. What I do now is listen to music all day long. Listening is very nourishing to me. I might go back to perform, I might make another record. I've got a record half finished.
Interviews are usually a follow-up, like a press junket or a publicity junket, or something like that, and I'm not doing any of that right now. I don't have any axes to grind.
It's clear that people are going to download media files, and they're going to talk to each other, and they're going to exchange information and knowledge and so forth. So this system logic is basically what you bounce off of.
It's important to be precise about words, because of the thought value of them-they frame and shape so much of the way we understand things.
It's what the Iraqi people are going through right now. They have encountered a victorious, hostile force-but, you know, there they still are. There their culture is, there their history is, they're not going anywhere.
Linear thinking typifies a highly developed industry. It starts to get these patterns built into it somehow. I'm not sure how that happens, but certainly you take a look at dinosaurs.
Multimedia scares me off.
Nature abhors a vacuum.
Now, DVD can represent more income than the box office-and typically does.
Once the smoke of the market crash clears off, you know, the Internet will pick back up and go. Take a look at what's happening to some of the big companies like eBay and Yahoo, the publicly traded stocks. You know, they're all coming back up off the mat now.
People recognize intellectual property the same way they recognize real estate. People understand what property is. But it's a new kind of property, and so the understanding uses new control surfaces. It uses a new way of defining the property.
Some ways of using our thinking are really inspiring. There are people who use their thinking to race cars. People use their thinking to build rockets to the moon. It's all just a use of your thinking.
The Internet provides the access to resources, so it's incumbent upon the people who control those resources to make sure that the economic engine stays intact.
The one thing that has become more and more clear to me-we're all on pretty much the same track. You grow along like everybody else grows along.
The only people who steal are thieves, and that's a very small percentage of civilization. Most people want to have some way to make the economic transaction valid. They want to return the favor, if you will... return the benefit and reciprocate.
The present industry's notion about latchkey won't work. The Internet does not support keys in the conventional sense. It does support a type of key-what it doesn't support is an arbitrary tollgate.
The rock sitting on the shelf has potential because it can fall-it's the same way with the Internet. It has this potential. It's not really doing it yet, but it's about to.
There are more honest people and more good people than there are thieves and bad people. It's just always been that way.
There is a certain logic to events that pushes you along a certain path. You go along the path that feels the most true, and most according to the principles that are guiding you, and that's the way the decisions are made.
There's a certain logic to systems, and that logic is fairly self-evident. It's very straightforward, usually. It might take a little research, it might take a little bit of industry to prize it out, but it's there to be seen.
There's no free lunch. Remember that old adage? You're not getting it for free. There is a cost embedded in it.
There's this notion that allows people to create their own collection of songs, so it rewrites what a song is. They may only want 10 seconds of something, or they may only want this particular song, or they want this group of songs. It becomes much more user-controlled.
Typically what happens is, somebody drags an idea from the past that worked in an old set of logics that they try to apply to the new one. And it doesn't work.
We're past the false dawn, and now we're in this text-based mode, and the text-based mode, of course, is what will have to settle off to one side.
Wealth, in terms of dollars and so forth, could be counted up, because dollars were finite. It doesn't make any difference how many dollars you have-at a certain point you only have dollars. You start with finite, you end with finite.
When something comes along like Napster, or something comes along about big file sharers, it facilitates a legitimate desire.
You don't have to fight against being placed in a box any more than the number two has to fight against being the number three. I mean, two is not going to be the number three, ever.
You have to have access to ideas. The Internet is facilitating that access to ideas. In 25 years, the way that data's going to flow back and forth, we don't quite understand yet.
When Michael Nesmith was a teenager, he injuried his hand when a firework prank went bad.
In 1970, Michael Nesmith left The Monkees to form The First National Band.
Michael Nesmith wrote a book called The Long Sandy Hair of Neftoon Zamora.
In the 1980's, Michael Nesmith built the largest non-theatrical home video catalog in the world called Pacific Arts Corporation.
Michael Nesmith has several nicknames like "Nez," "Mike," and "Woolhat."
Michael was trying to get The Monkees to be a country/rock group during the final year that he was in the group.
In 1983, Michael won the Fantafestival Award for Best Screenplay for: Timerider: The Adventure of Lyle Swann (1982).
Michael's mother, Bette Nesmith, invented "Liquid Paper," otherwise known as whiteout.
Michael was the only Monkee who'd actually seen the initial trades ad for the show's casting call.
Michael currently lives on the Monterey Peninsula in California.
Mike Nesmith: (As to why he didn't rejoin the Monkees when Tork, Dolenz, and Jones re-formed the group, c. 1986) It would be kind of like Ronald Reagan making another movie.
Michael was invited to the famous orchestral session for A Day In The Life by John Lennon.
Michael penned the Stone Poneys' hit song: "Different Drum."
Mike has been married three times. First wife Phyllis Barbour from 1964 till 1975. Then Kathryn Bild from 1976 to 1988. Finally to Victoria Kennedy from April 2000 to the present.
Mike shares same the birthday as fellow Monkee Davy Jones.
Mike created a show called Pop Clips which he sold to Time-Warner Brothers, who then used it as the model for MTV. He did not wish to be involved in the commercial aspects of music videos.
You can share a link to this page with your friend!