Mary Steenburgen filmography
All Fall Down Ralph and Annabell Willart are a feuding couple who are constantly bickering over their worthless, good-for nothing son Berry-Berry. When Berry-Berry begins yet another meaningless love affair, this time with an older woman named Echo O'Brien, he really gets his parents at each others' throats.
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Alfred JingleBuy this movie | Comments (0) | Post new comment
The Brave One Buy this movie | Comments (0) | Post new comment
Honeydripper Buy this movie | Comments (0) | Post new comment
Elvis and Anabelle In "Elvis and Anabelle," every terrible tragedy brings about something equally miraculous. Groomed by her overly ambitious mother (Mary Steenburgen), Anabelle (Blake Lively) is on the road to winning the Miss Texas Rose tiara when she dies tragically during a pageant. Her death lands her on the embalming table of Elvis, an embittered young man whose sense of family duty and love for his ailing father (Joe Mantegna) keep him from following his dreams. When Anabelle is miraculously resurrected on Elvis' embalming table, the two unexpectedly connect and sparks fly. With the help of each other and Elvis' father, they discover love, freedom and happiness as the real world and their own demons threaten to force them apart.
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biggoldbirdBuy this movie | Comments (0) | Post new comment
Nobel Son Barkley Michaelson is in a deep life rut. He's struggling to finish his PhD thesis when his father, the learned Eli Michaelson, wins the Nobel Prize for Chemistry. Barkley and his mother, Sarah, a renowned forensic psychiatrist, now have the ill-fortune of living with a man-eating monster whose philandering ways have gotten less and less discrete. As if Barkley's world is not bad enough, on the eve of his father receiving the Nobel, Barkley is kidnapped and the requested ransom is the $2,000,000 in Nobel prize money. Needless to say, Eli refuses to pay it and so starts a venomous tale of familial dysfunction, lust, betrayal and ultimately revenge. In the words of Michel De Montaigne, the 16th century philosopher: "There is more barbarity in eating a man alive than in eating him dead."
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Randall Miller & Jody SavinBuy this movie | Comments (0) | Post new comment
Numb After landing in the wrong place at the wrong time, Slevin (Josh Hartnett) must kill The Rabbi's (Ben Kingsley) to scratch a $96,000 debt to The Boss (Morgan Freeman) and pay off $33,000 to The Rabbi. He can't go to the police and he can't leave the city. On top of all this, behind the scene's Mr. Smith aka Mr. Goodkat (Bruce Willis) is secretly plotting to kill Slevin.
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Kris HopsonBuy this movie | Comments (0) | Post new comment
The Dead Girl In Los Angeles, a story about a dead girl, told in five chapters. A woman, miserable in her circumscribed life caring for her domineering mother, finds a body. Somehow, this discovery allows her to change. At the morgue, the sister of a girl missing for 15 years believes the body is that of her sister; this liberates her. An older woman, married to a man who pays her little attention, finds evidence in a storage unit; how will she handle it? The mother of the dead girl, who left home some years before, visits the last place her daughter lived and makes her own discoveries. Last, we flash back to the victim's final day.
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Inland Empire A blonde actress is preparing for her biggest role yet, but when she finds herself falling for her co-star, she realizes that her life is beginning to mimic the fictional film that they're shooting. Adding to her confusion is the revelation that the current film is a remake of a doomed Polish production, 47, which was never finished due to an unspeakable tragedy.
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TedBuy this movie | Comments (0) | Post new comment | Inland Empire subtitles
"Joan of Arcadia" Buy this movie | Comments (0) | Post new comment
Marilyn Hotchkiss Ballroom Dancing & Charm School Dance is a very powerful drug, if embraced judiciously; to reap its rewards, one must shoulder its challenges with intrepid countenance. Frank Keene, a grieving baker in a near catatonic state, happens on a car accident. The loquacious and insightful victim, Steve Mills, is on his way to an appointment in Pasadena with a years-ago acquaintance; he asks Frank to go in his place. It's a dance class. Frank goes, to find Steve's friend. The story moves back and forth among Steve's childhood, the scene of the accident, and the aftermath of Frank's first Lindy hop. Black eyes, group therapy, loneliness, boys being boys, roads not taken, and saying good-bye color the story.
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Information source: imdb.com