Cinema will always have an important role to play in society.
Everyone thought we were insane to end the film with a 20-minute ballet sequence, but it turned out to be the most talked-about feature of the film.
Fred Astaire was a more formal, trained dancer who loved waltzing and only danced with the girls.
I got as little as a $75 a week when I started.
I had two children. I had a nanny to manage my kids.
I hate biographies which say, I was called to such and such an office, and he offered me so and so, and I got so and so money. I find that very tedious. The best biographies are written by other people.
I know a lot of Americans in Paris who have married Frenchmen. They keep bringing up their experience, the clash of civilizations, the clash of personalities.
I longed to break out of the system and do different roles.
I missed having a normal life. I became an international star after Gigi, which was the biggest thing that happened in my life.
I noticed that when I went to see the rushes or the first showing that there was something quite human in this desperation, and I hadn't planned it.
I regret not doing a film that I was offered with Clark Gable because the script was not good enough.
I seemed to belong to three countries: I had an apartment in Paris, a house in Hollywood, and when I married British theater director Peter Hall, I moved to London.
I think it's the end of progress if you stand still and think of what you've done in the past. I keep on.
I toured the Middle Eastern countries with the ballet.
I was trying to be very at ease in this arrogant person, and very worldly, but something human came into the part. I hate to say that. I wanted to be totally worldly.
I was very young and did exactly what I was told. I did not expect the film to become such a hit and my life to change so much.
I went to Kerala in India, to learn Ayurveda, which was fantastic.
I went to the Tokyo Film Festival in Japan because I love Japanese cinema.
In order to have great happiness you have to have great pain and unhappiness - otherwise how would you know when you're happy?
It was never shot in Paris, because in those days all films were made in studios.
It's the first film that I made where the director was not present under the camera, and it threw me.
It's very difficult to marry into another civilization.
James Ivory comes close to the actors for the first rehearsal. He more or less lets you direct yourself and then will only correct you if he finds it incorrect.
James Ivory is very, very subtle in his study of human behavior. I think that he's very aware of the subtleties of women behavior.
My problem was my roles. The film scripts were not as strong then as they are now.
No matter what you do, your person comes through. You can't completely change yourself on the screen. I had in mind someone colder and more in control, but I couldn't do it. This human note just crept in and maybe it's better.
The American is wholeheartedly for love and romance at any cost.
The French? Upper class. Now, this is not all of France, it's just the French upper class, and it's very true. That's the way that they are, yes.
The last scene took three months to choreograph and one month to shoot. The sets alone took three days to create.
The most important thing is to remain active and to love what you are doing.
The studio system collapsed only when Elizabeth Taylor charged $1 million for Cleopatra.
The upper class is very protective of the family fortunes, the title, the name, the correct behavior, the appearance and so on.
There were many good actresses in my time like Jane Powell and Debbie Reynolds, but I was the only dancer.
We were all ruled by the studio system. I signed a contract for seven years.
When I did small films like Lily and Buenos Vista, everyone thought my career would be ruined.
You have actresses like Meryl Streep and Julia Roberts, who have roles specially written for them.
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