But when I came back into the city for the first time last November, I thought every truck, every building was going to blow up. It has truly changed me something fierce.
I am not sure why, but I have been obsessed by the Atom Bomb ever since it first happened.
I am one of the 11.5% of New Yorkers who remain traumatized by the events of September 11.
I haven't written a word - except for some correspondence - since last September 8, when I finished my translation of Ibsen's Ghosts.
Postmodernism refuses to privilege any one perspective, and recognizes only difference, never inequality, only fragments, never conflict.
I don't know what the country's coming to. Everyone trying to be better than their betters; mink coats and no manners.
The worst thing about this war is the chance it gives these dreadful little persons, the chance to make themselves important.
The only reason to invest in the market is because you think you know something others don't.
Lanford Wilson was a co-founder, along with Marshall W. Mason, Tanya Berezin and Robert Thirkell, of the Circle Repertory Theatre Company in New York. This company was the starting place for many actors and writers who went on to film and television work, including Jeff Daniels, Zane Lasky, Barnard Hughes, William Hurt, Conchata Ferrell, Christopher Reeve, Tony Roberts and Fritz Weaver. Wilson's work with director Mason and the company are the subject of several books, including "A Comfortable House" by Philip Middleton Williams, published by McFarland & Company, 1993, ISBN0-8995-0836-7.
Was nominated for Broadway's Tony Award three times as author of a Best Play nominee: in 1980 for "Talley's Folly," in 1981 for "Fifth of July" and in 1983 for "Angels Fall."
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