Being a celebrity is probably the closest to being a beautiful woman as you can get.
Failure doesn't kill you... it increases your desire to make something happen.
Field of Dreams is probably our generation's It's A Wonderful Life.
I am not a cynic.
I believe people who go into politics want to do the right thing. And then they hit a big wall of re-election and the pettiness of politics. In the end, politics gets in the way of the business of people.
I don't feel the need to direct. I tried to get other people to direct Dances, but they wouldn't do it. They all thought it was too long. One director wanted to cut the Civil War sequence. Another thought the white woman was very cliched.
I don't think I ever take huge risks, though I'm not scared of doing so.
I don't think I'd have been as good as Bruce was. He was a better JFK than I would have been.
I enjoy sports. I get a real joy from playing sports but I don't look for those movies. Oliver Stone wanted to know if I would do Any Given Sunday and it just didn't appeal to me.
I haven't tried to buffer myself. I like rolling the dice.
I like when my face tingles, when the hair on the back of my neck stands up.
I stand up for what I believe. I don't know if it's always paid off for me, because I've been ridiculed and humiliated.
I think there are good men and women in all decades. We've grown cynical. And look at what we do to all our heroes: Churchill, FDR, Kennedy, they all had affairs. But heroic things happen every day.
I think these movies are as much for people of that time as for people who weren't born. For people who weren't born, they see how leaders must act under a crisis situation, not trying to be re-elected or not trying to check polls, that they go from their gut check.
I wanted to see the debates and I believe in the quality of the argument. I don't vote party line. I vote for the best person. I am a purist.
I wanted very much to do Traffic and at one point it looked like I was going to work on it. And then, of course, Catherine Zeta-Jones had her relationship with Michael Douglas and it suddenly didn't happen.
I work for the public, for the people who are paying to go to the cinema, rather than for the critics.
I'm a big fan of dreams. Unfortunately, dreams are our first casualty in life - people seem to give them up, quicker than anything, for a 'reality.'
I'm a pretty convenient foil for a lot of people.
I'm getting those familiar feelings, and I'm just going to enjoy the process of getting to know someone again.
I'm glad movies aren't going to please everybody, they can't. But what they have to be is recognisable. I don't equate myself with a master painter, but I think you can recognise my films.
I'm only interested in being a good actor and in being remembered for my best films, not for the way I look. But it seems inevitable in this line of work that I have to care about the way I look without getting obsessed about it.
I'm proud of all the movies I've made. They're not sequels, they're not franchises. And the reason I pick my films carefully is that I don't want to spit on my life. I like to think of myself as more than that.
I've been around where I knew other actors were going to steal the scene, and I don't compete with them.
I've had some movies that have been ridiculed, but that's OK with me. I don't feel that really defines me. Should I change who I am to be popular?
I've never done a film for a paycheque, I've never done one to fill a time slot, and I've never done one to take care of an alimony payment.
If it's going to be wrecked, I want to make sure I wreck it.
If you don't understand your limitations you won't achieve much in your life.
If you think of 'Liberty Valance' or 'The Searchers,' there are moments in there that you'll never, ever forget... And it does not matter what century you are from.
In America, politicians do whatever to get re-elected, and a lot of decisions that were being made at that time by Kennedy were certain not to get him re-elected.
It would not have been effective if I'd played John Kennedy in Thirteen Days. It would have been a splashy little turn, but as a producer I can't just serve myself because it itches my acting bone.
Lincoln was the greatest speaker and he was ridiculed for how he looked, you know?
Money isn't a major motivating force in my life. Nor is my profession. There are other things that I care more about than being an actor.
One person doesn't have to shoulder all the responsibility for why a film does or doesn't do well.
President Kennedy was willing to go to war. He was not a coward. The man had been in war and so had Ken O'Donnell. He was ready to protect this nation, but he was not ready for a military solution just because it was being rammed down his throat.
There are a lot of things that come to bear on movies now that I don't think are good for movies. They're trying to appeal to the biggest demographic and, when they do that, you sometimes flatten out.
We all have that burning question about what happens if we lose somebody we love, especially if we lose them tragically. We wonder what fear was going on, we wonder if we could have reached out and touched them, held their hand, looked in their eyes, been there.
We stand our best chance of leaving a legacy to those who want to learn, our children, by standing firm. In matters of style, hey, swing with the stream. But in matters of principle, you need to stand like a rock.
We still live with this unbelievable threat over our heads of nuclear war. I mean, are we stupid? Do we think that the nuclear threat has gone, that the nuclear destruction of the planet is not imminent? It's a delusion to think it's gone away.
What are we blaming? Is this Vietnam? We made a movie, it didn't make much money. I'm gonna be really happy if somebody watches it in 10 years' time and really enjoys it.
When I make a film I'm away from home for two to three months. So I want my kids to look at my films one day and say, I love his movies, I love his choices-because he loved them.
When I played Robin Hood, I knew the great role was Alan Rickman's and it didn't bother me. I always think that leading actors should be called the best supporting actors.
When I read Thirteen Days I was moved by it. It was just a great time for the world, in terms of looking back in history and seeing how we got ourselves into trouble and how we got ourselves out of trouble.
You have to decide if you're going to wilt like a daisy or if you're just going to go forward and live the life that you've been granted.
You have to pick the stories that you want to be involved with and the end game is you'd like to be a part of a hit. But I think your moral obligation is to follow your own heart.
Kevin Costner played the corpse of Alex in the 1983 movie The Big Chill. All of his scenes in flashbacks were cut from the final edit, leaving him merely a stiff.
Since 1996, Kevin has played in the Celebrity Golf Tournament at Pebble Beach, California every year.
Kevin is the Co-owner of the Midnight Star casino in Deadwood, South Dakota which displays some of his movie memorabilia.
Kevin worked as a skipper on the ride, the Jungle Cruise, at Disneyland in Anaheim, California before pursuing an acting career.
Kevin is a member of the Delta Chi Fraternity.
Kevin made a combined 30 million USD for Dragonfly and Thirteen Days. He made 7 million USD for JFK.
Kevin's frontal nude scene in Love of the Game (1999) was reportedly deleted after being met with laughter at test screenings.
Kevin is a supporter of a British soccer team Arsenal.
In October, 1997, Kevin was ranked number 27 on Empire magazine's The Top 100 Movie Stars of All Time list.
Kevin has 3 children. They are, Joe who was born in 1988, Annie who was born in 1984, and Lily who was born in 1987.
Kevin was voted most erotic male by the readers of the German magazine entitled Amica in October, 1998.
Kevin was chosen by People magazine as one of the 50 Most Beautiful People in the World in 1991.
Kevin is 6' 1" tall.
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