Before I did any action movies, I did a couple of thrillers. That's hung around for me.
I had hired Anthony Pellicano to wiretap Charles Roven in the summer of 2000. But I never received a report or specific information.
In a thriller, the camera's an active narrator, or can be.
The entertainment is in the presentation.
The point isn't a girl got killed in a shower; it's how did it get photographed that she got killed in a shower?
They were knowingly false, your honor.
Thrillers are an enormous amount of fun for filmmakers.
To find a script that works with provocative ideas is hard to find.
You see a lot of good ideas or well-written scripts that are bad ideas.
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