As far as Beau is concerned, we're on the same team, we root for each other. If my parts are slightly more attractive, or are perceived that way by others, he's very content.
I don't feel underrated because I've been able to do some terrific roles, work with remarkable people. I feel kind of blessed.
I had a great '70s. I survived it, and that's always good news.
I had years of partying, and I was kind of surprised and happy I survived it all. Now, being a parent, I look back on it thinking, Oh God, the things you did!
I kind of rebelled against it. I resisted it. I didn't know what I wanted to do when I was a kid and was reluctant to go into, y'know, Dad's line of business.
I look at my dad as my main teacher. He taught me all the basics, and just watching him work, and his approach-that was where my cues came from. He always encouraged his kids to get into it.
I love John Irving's stuff. It's that marriage of comedy and tragedy. It's really terrific.
I play a writer and an illustrator of children's books. That was fun because I got to do a lot of drawing in the movie. And I got to work with Kim Basinger again.
I saw how careful I'd have to be not to fall into that sort of trap. I wanted to mix it up.
I try to gently confuse the audience as to what my persona is, do things to make it easier for them to overlay the character on top of me.
I would love to work with my brother again. We're developing a production company, so maybe we'll direct something together. The Bridges Brothers. Sounds good, doesn't it?
I wouldn't trade my career for anyone else's. I'm quite happy with the way things have gone and the way they're going now.
I'd maybe done about 12 movies when I decided that this was what I was going to do.
I'm very manipulative towards directors. My theory is that everyone on the set is directing the film, we're all receiving art messages from the universe on how we should do the film.
I've always tried to mix up my roles as much as I can.
I've been playing and writing since I was a kid. I'm not as prolific now because I don't get the opportunity to work at it constantly.
I've had really great experiences working with first-time directors. They come at filmmaking with fresh ideas. I've been very lucky that way.
I've often used painting or music in roles. When I'm working on a part, I see the whole world through the filter of that character. I'll find all sorts of things that will apply to the job at hand.
In American Heart. I sang in that. I sang in The Fabulous Baker Boys, just a few little things.
It is frustrating when you put all that hard work into a movie and it's not seen.
It took a very long time to light that scene, because it was a 360-degree pan around that piano. We started shooting at 4 in the morning. It was a tribute to Michelle that she was able to do such a great job.
It used to be very distracting when I'd get on board for a movie, and I'd be in my hotel room studying for the week ahead, and I'd start thinking of a song or a drawing; I'd find myself working on that.
It's a pretty easy emotion to access when you just think about losing your kid. You are instantly there. The hard part is that it's not a pleasant place to go.
Michelle approaches the work in the same way-she likes to rehearse; she likes to talk to everybody. She's got a very down-to-earth side to her.
Michelle was a dream to work with, so talented. Not only does she have terrific acting chops, but she is a wonderful singer.
Michelle's got a wonderful voice. I love her rendition of so many of the tunes but my favorite was More Than You Know. And My Funny Valentine.
Most cynics are really crushed romantics: they've been hurt, they're sensitive, and their cynicism is a shell that's protecting this tiny, dear part in them that's still alive.
Movies are like magic tricks.
My main teachers were my father and my mother and my brother.
My mother lost a child just before me. His name was Gary. My mom and dad went through Sudden Infant Death Syndrome. A kid, a year old, and you go up and the baby is dead.
My parents studied with a guy named Michael Chekhov, and used exercises and approaches he suggested. Anthony Quinn was one of his students, and a lot of big 1950s actors.
Nowadays, in the contract that actors sign, you have to agree that you're going to do a certain amount of publicity-the hard part they don't pay you for.
On the day of shooting, they would deaden the piano, so they would see me playing, but hear the music.
Optimists have a seed of cynicism. It all gets down to love and fear of losing love.
Play is such an important part of the whole thing for me. I enjoy playing with guys who experiment and throw different things around.
Sometimes after I finish a movie, and I've been averaging about two a year, I think that I never want to do it again.
Sometimes I find this flattering, that people want to know what I think about things, especially if they're things I'm interested in.
The acting, I could do that free. But I'm a team player. I don't want to sabotage the work we've done.
The Door in the Floor came up. I met with the film's writer and director, Kip Williams, and got a good feeling about him. John Irving was very much behind Kip's adaptation.
The photo book didn't really start with any purpose. When I got married 27 years ago, I started taking pictures. My photos kept piling up, and finally a book materialized.
The problem with the designated driver programme, it's not a desirable job. But if you ever get sucked into doing it, have fun with it. At then end of the night drop them off at the wrong house.
They're like children. Each one is so different. You love them all for different reasons. The Fabulous Baker Boys was a fabulous opportunity.
We don't have to act brothers, that was handled 40 years ago. That was the best experience I ever had on a movie, because of working with Beau. During Baker Boys we had dinner together every night, and we had such a good time.
When I did Blown Away and there was a part as my uncle, I said, I know a guy that looks like me, great actor, name of Lloyd Bridges. They said, Sure, but isn't he more of a comedian?
When I go to a movie I can't help taking baggage with me-an interview you read, what the guy did in his last movie or a heavy persona that he carries.
When you start to engage with your creative processes, it shakes up all your impulses, and they all kind of inform one another.
Working with my dad was such a gas. We approached the work in a similar way. We only made two films together when I was an adult, Tucker, and Blown Away, but it was so much fun to play with your parent like that.
You have to respect the roles that everybody plays in the process. And keep your fingers crossed.
Although he and his father Lloyd Bridges appeared in six different productions together, they never played father and son.
He is well known for his liberal political views.
He is a big fan the
He is a talented cartoonist. Some of his drawing have appeared in various films, such as
The film,
He was born at 11:58 PM PST.
Has played roles with first name "Jack" seven times, and with surname "Jackson" four times
He has stated
He is the uncle of Casey Bridges, Jordan Bridges, Dylan Bridges, Emily Bridges and Ezekial Bridges.
He is the younger brother of Beau Bridges and the older brother of
You can share a link to this page with your friend!