Abstract painting is abstract. It confronts you.
Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.
Bums are the well-to-do of this day. They didn't have as far to fall.
Every good painter paints what he is.
He drove his kind of realism at me so hard I bounced right into nonobjective painting.
I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc.
I don't work from drawings. I don't make sketches and drawings and color sketches into a final painting.
I hardly ever stretch the canvas before painting.
I have no fear of making changes, destroying the image, etc., because the painting has a life of its own.
I prefer sticks, trowels, knives and dripping fluid paint or a heavy impasto with sand, broken glass or other foreign matter added.
I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.
It doesn't make much difference how the paint is put on as long as something has been said. Technique is just a means of arriving at a statement.
It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.
My painting does not come from the easel.
My paintings do not have a center, but depend on the same amount of interest throughout.
New needs need new techniques. And the modern artists have found new ways and new means of making their statements... the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture.
On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting.
Painting is self-discovery. Every good artist paints what he is.
The modern artist is working with space and time, and expressing his feelings rather than illustrating.
The modern artist... is working and expressing an inner world - in other words - expressing the energy, the motion, and other inner forces.
The painting has a life of its own. I try to let it come through.
The strangeness will wear off and I think we will discover the deeper meanings in modern art.
Today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source. They work from within.
When I am in my painting, I'm not aware of what I'm doing.
When I am painting I have a general notion as to what I am about. I can control the flow of paint: there is no accident.
When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.
When I'm painting, I'm not aware of what I'm doing. It's only after a get acquainted period that I see what I've been about. I've no fears about making changes for the painting has a life of its own.
American painter, who was an icon of the abstract expressionist movement.
Is portrayed by Ed Harris in Pollock (2000)
The night he had his fatal car accident, his passengers were his lover Ruth Kligman and her friend Edith Metzger. Although Ruth survived, her friend Edith died along with the painter.
Studied under Thomas Hart Benton at the Arts Students League in New York.
Best known for the paintings he created during the "drip period" between 1947 and 1950.
Is buried next to his wife Lee Krasner in Green River Cemetery in Springs, New York.
His "No. 5, 1948" became the world's most expensive painting, when it was auctioned to an undisclosed bidder for $ 140 million (November 2006).
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