Gregg: Small distributors have become like mini-studios. There's an expectation at this point, with these runaway successes like Napoleon Dynamite, that every film needs to make tons and tons of money to be successful. But the old-school independent movies like Mysterious Skin, movies that attack a challenging subject, need companies like Tartan.
Gregg: I can't think of one Hollywood director whose next film I'm looking forward to seeing.
Gregg Araki: It is a rag-tag story of the fag-and-dyke teen underground .. A kinda cross between avant-garde experimental cinema and a queer John Hughes flick. (On his movie Totally F***ed Up)
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