I will throw all my best efforts into it, my thoughts and political observations, but ultimately I want to create a narrative that keeps you turning the pages and leaves you with a sense that this thing has a reason for being there.
My feeling is that the hero has now been defined by phrases like the odious one that we were all raised with - crimes does not pay. Of course it pays, you schmuck. That's not why we don't do it. We don't do it because it is wrong.
Sometimes the solitary voice can be the best one.
The fundament of a superhero is the guy in tights saving innocent people from bad things. It's amazing how infrequently that seems to happen in superhero comics these days.
The noir hero is a knight in blood caked armor. He's dirty and he does his best to deny the fact that he's a hero the whole time.
Think of me as the weathered sheriff coming back into Dodge 'cause the youngsters are shooting up the church and scaring the horses and not doing right by the women.
What I want to bring back to superheroes with this project is a sense of play. Things have gotten so dreary. The heroes have gotten so ugly that even their muscles have muscles.
You can't have virtue without sin. What I'm after is having my characters' virtues defined by how they operate in a very sinful environment. That's how you test people.
Frank is 6 feet 3 inches tall.
Frank wrote the original screenplays for Robocop 2 (1990) and Robocop 3 (1993). Both films severely deviated from his source material, and performed poorly at the box office. Frank later published the original story for Robocop 2 through Avatar Comics, a nine-issue miniseries entitled "Frank Miller's Robocop" in 2005. No word has been given yet, however, if he plans to publish the one for Robocop 3.
Frank's wife, Lynn Varley, does the inking and coloring on many of Frank's projects.
He is credited for creating the character of Elektra for Marvel comics.
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