Bob Hoskins filmography
Doomsday Great Britain, 2007. A deadly plague, known as the "Reaper Virus," has broken out, killing hundreds of thousands in its wake. In desperation, the British Government evacuates as many survivors as it can out of the infected area, and then builds a wall, preventing the remainder from escaping. Thirty years later, with the wall still up and the victims all but forgotten, the virus breaks out again. The Government decides to send a crack team of operatives, led by Major Eden Sinclair, into the hot zone to investigate the possibility of a cure.
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manikmanBuy this movie | Comments (0) | Post new comment
Go Go Tales Buy this movie | Comments (0) | Post new comment
"The Englishman's Boy" Buy this movie | Comments (0) | Post new comment
Ruby Blue Buy this movie | Comments (0) | Post new comment
Outlaw Buy this movie | Comments (0) | Post new comment
Sparkle Three sisters (Sister and the Sisters) from Harlem who become singers. Sister (Lonette McKee) becomes involved with drugs and Sparkle(Irene Cara) ends up being the one who gets famous. This movie tells about how drugs ruined Sister's relationships and eventually ended her life. It is also about the relationship between Sparkle and Philip Michael Thomas.
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The Wind in the Willows Mole's underground home is bought by the Weasels from wealthy landowner Mr.Toad and Mole is thrown out. He and Rat start to fight to get his home back from evil Weasels.
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Hollywoodland An exploration of fame and identity, inspired by one of Hollywood's most infamous real-life mysteries. June 16, 1959. The glamour of Tinseltown permanently fades for actor George Reeves, the heroic Man of Steel on TV's Adventures of Superman, as the actor dies in his Hollywood Hills home. Felled by a single gunshot wound, Reeves leaves behind a fianc?e - aspiring starlet Leonore Lemmon - and millions of fans who are shocked by his death. But it is his grieving mother, Helen Bessolo, who will not let the questionable circumstances surrounding his demise go unaddressed. Helen seeks justice, or at least answers. The Los Angeles Police Department closes the case, but Helen hires - for $50 a day - private detective Louis Simo. Simo soon ascertains that the torrid affair Reeves had with Toni Mannix, the wife of MGM studio executive Eddie Mannix, might hold the key to the truth. But truth and justice are not so easily found in Hollywood. Simo pursues dangerous and elusive leads in both high and low places and, in trying to turn up the heat, risks getting burned. The detective also uncovers unexpected connections to his own life as the case turns more personal and he learns more about Reeves himself. Behind the icon was a complex man who gave his life to Hollywood in more ways than one.
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Garfield: A Tail of Two Kitties Jon goes to London to be with Liz and Garfield sneaks with him. Meanwhile a deceased Queen gives everything to her cat Prince XII. Her only heir Lord Dargis becomes jealous and tries to kill Prince. Garfield & Odie sneaks out to the streets of London. Lord Dargis throws Prince in the river and ends up in the sewer of London. SMithee the butler believes he found Prince but it was really Garfield and Jon find Odie with Prince and mistakes him for Garfield. Now the Castle animals must keep Garfield safe and keep him thinking he's royal to save their lives.
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Paris, je t'aime Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers will bring their own personal touch, underlining the wide variety of styles, genres, encounters and the various atmospheres and lifestyles that prevail in the neighborhoods of Paris. Each director has been given five minutes of freedom, and we, as producers, carry the responsibility of weaving a single narrative unit out of those twenty moments. The 20 films will not appear in the order of the arrondissements, from one to twenty, but rather, in a pertinent narrative order, initially unknown to the audience. They will be fused together by transitional interstitial sequences, and also via the introduction and epilogue sequences of the feature film. Each transition will begin with the last shot of the previous film and will end with the first shot of the following film, and will have a threefold function: 1) The first is to extend the enchantment and the emotion of the previous segment, 2) The second is to prepare the audience for the surprise of the next segment, and 3) The third is to provide a general, comfortable and cohesive atmosphere to the feature film. The delightful and brief interludes of these transitions will enable the viewer to slide from one world to the next, featuring a recurring and unexpected character. This mysterious character is a witness to the Parisian life and helps create a continuous narration. It appears both in and in-between the films. In addition to the information these transitions will provide about the city and its people, their tone will be intentionally light often referring to famous scenes easily attributed to the history of Paris cinema. Similar specifications will be followed by the composer who will supervise the musical fusion between the films and the transitions as he creates the musical score of Paris, je t'aime. Considering the common theme of Paris and Love, the fusion between the films and the transitions, the fast pace of a fluid and complete storytelling, Paris, je t'aime will not be just another "anthology" picture. It will be a unique collective feature film that will constitute a two-hour cinematographic spectacle whose original structure will make for a dramatically different experience for its global audience.
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Information source: imdb.com