Barbet Schroeder filmography


Ne touchez pas la hache

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Paris, je t'aime
Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers will bring their own personal touch, underlining the wide variety of styles, genres, encounters and the various atmospheres and lifestyles that prevail in the neighborhoods of Paris. Each director has been given five minutes of freedom, and we, as producers, carry the responsibility of weaving a single narrative unit out of those twenty moments. The 20 films will not appear in the order of the arrondissements, from one to twenty, but rather, in a pertinent narrative order, initially unknown to the audience. They will be fused together by transitional interstitial sequences, and also via the introduction and epilogue sequences of the feature film. Each transition will begin with the last shot of the previous film and will end with the first shot of the following film, and will have a threefold function: 1) The first is to extend the enchantment and the emotion of the previous segment, 2) The second is to prepare the audience for the surprise of the next segment, and 3) The third is to provide a general, comfortable and cohesive atmosphere to the feature film. The delightful and brief interludes of these transitions will enable the viewer to slide from one world to the next, featuring a recurring and unexpected character. This mysterious character is a witness to the Parisian life and helps create a continuous narration. It appears both in and in-between the films. In addition to the information these transitions will provide about the city and its people, their tone will be intentionally light often referring to famous scenes easily attributed to the history of Paris cinema. Similar specifications will be followed by the composer who will supervise the musical fusion between the films and the transitions as he creates the musical score of Paris, je t'aime. Considering the common theme of Paris and Love, the fusion between the films and the transitions, the fast pace of a fluid and complete storytelling, Paris, je t'aime will not be just another "anthology" picture. It will be a unique collective feature film that will constitute a two-hour cinematographic spectacle whose original structure will make for a dramatically different experience for its global audience.
Written by Emmanuel Benbihy

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Une aventure

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Ne fais pas ça

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Virgen de los sicarios, La

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Mars Attacks!
The Martians decide to attack our planet and devastate everything. Why? Because it's fun!!! They enjoy killing people and destroy buildings; they even play bowling with the statues at Easter Isles and pose for photos in front of temples as they are blowing up. Will somebody find a way to stop them or will everyone die in the war with these short, big-brained aliens?
Written by Chris Makrozahopoulos {makzax@hotmail.com}

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Beverly Hills Cop III
Axle Foley, while investigating a car theft ring, comes across something much bigger than that: the same men who shot his boss are running a counterfeit money ring out of a theme park in Los Angeles.
Written by Jason Ihle {jrihl@conncoll.edu}

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Reine Margot, La

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The Golden Boat
Inspired in form by American police TV shows and soap operas, The Golden Boat is a madcap, surreal dash through the streets of New York city, telling the mysterious and often hilarious story of an aged street-person named Austin, a comically compulsive assassin, as he joins up with a young rock critic and philosophy student named Israel Williams. In the course of their adventures, Austin pursues his object of desire - a Mexican soap opera star - and along the way engages a host of TV characters and bit players, whose repartee range from gangsterish insults to the question of God's existence.
Written by Strand Releasing {strand@strandreleasing.com}

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Amour par terre, L'

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Information source: imdb.com